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부얀 쿨리 칸 영묘

ضريح بيان قلي خانBayonqulixon maqbarasi

부하라 외곽의 파타바드에서 차가타이 칸국의 칸 부얀 쿨리의 무덤 위에 1358-1359년경 세운 돔 무덤으로, 조각하고 유약을 입힌 타일로 마감했습니다1,2,3,5.

건립 연대
약 1358–1359 년
약 759–761 년(이슬람력)
The V&A dates the tilework to about 1358-1359, after the khan’s murder, which its records place in 1358 or in 13591,2,3. Encyclopaedia Iranica gives his death as after 760 AH (1358-59)5.
시대
차가타이 칸국 시대(트란스옥시아나의 칭기즈 칸 가문 칸들)
건립을 명한 인물
빅토리아 앨버트 박물관(V&A)에 따르면 칸을 살해한 자를 몰아낸 그의 경쟁자들
무덤 주인
칭기즈 칸의 무슬림 후손이자 트란스옥시아나의 마지막 차가타이 칸 가운데 한 명인 부얀 쿨리 칸(1358년 또는 1359년 사망)
재료
청록색, 청녹색, 흰색, 파란색, 검은색 유약을 입힌 깊게 조각한 토기(테라코타) 타일로, 한때 건물 안팎을 덮었음; 구조 재료는 참고한 자료에 설명되어 있지 않음
위치
부하라, 우즈베키스탄
부얀 쿨리 칸 영묘
사진: Ymblanter · CC BY-SA 4.0 · 위키미디어 공용

이 부분은 아직 번역되지 않아 영어로 표시됩니다.

역사

Buyan Quli Khan was a Muslim descendant of Genghis Khan who became the nominal ruler of a large part of Central Asia in 1348, while real power lay with the region’s warlords1,2. Encyclopaedia Iranica counts him among the last Chaghatayid khans of Transoxiana5. When he tried to assert his own authority he was killed by one of those warlords, in 1358 according to some V&A records and in 1359 according to others1,2. The murderer was soon driven out by his rivals, who raised the tomb over the khan’s grave in a cemetery at Fathabad, on the outskirts of Bukhara1,2,3.

The tomb stands next to the shrine of Sayf al-Din Bakharzi, a shaykh of the Kubrawi Sufi order who died in 1261; Iranica names the two as the monuments of Bukhara that survive from the Chaghatayid period (1227-1370)5,6. In 1899 the Victoria and Albert Museum in London acquired sections of the tomb’s inscription friezes, a tile with the khan’s name and a column capital; several pieces were bought from a seller in Batumi, Georgia, and one frieze section is recorded as taken from the facade1,2,3,4. The V&A calls the tiles from this tomb the most important surviving examples of a technique used in Central Asia only from about 1350 to the early 15th century1,4.

건축

The V&A describes the tomb as a square, domed building with a monumental entrance, sheathed inside and out with tiles that were deeply carved with inscriptions and ornament and covered with coloured glazes before the final firing1,2. A long frieze with an Arabic inscription, which named the khan, ran round the outer edge of the entrance arch; its words were picked out in white glaze against arabesques in blue-green1,4. An engaged column stood beside the entrance; its capital, with two faces set at a right angle, is carved with leafy scrollwork glazed white, turquoise, blue and black3.

내부

Iranica reports that panels of richly carved glazed terracotta decoration have survived in the tomb chamber5. The V&A records that the interior, like the exterior, was originally covered with these carved tiles1.

감상 포인트

  1. Carved glazed terracotta panels preserved in the tomb chamber5.
  2. Tiles deeply cut before glazing, in turquoise, white, blue and black1,3.
  3. The square, domed form with a monumental entrance2.
  4. The neighbouring shrine of Sayf al-Din Bakharzi, from the same period5,6.
  5. Sections of the tomb’s friezes in the Victoria and Albert Museum, London1,4.

관람 안내

  • The tomb lies at Fathabad, on the outskirts of Bukhara, beside the shrine of Sayf al-Din Bakharzi3,5,6.
  • Sections of its tilework are in the Victoria and Albert Museum in London, acquired in 18991,4.

출처

  1. Victoria and Albert Museum, London: Tile (museum no. 2043-1899), from the tomb of Buyanquli Khan
  2. Victoria and Albert Museum, London: Frieze (museum no. 2033:1 to 3-1899), from the tomb of Buyanquli Khan
  3. Victoria and Albert Museum, London: Capital (museum no. 586-1899), from the tomb of Buyanquli Khan
  4. Victoria and Albert Museum, London: Section of Tilework Frieze (museum no. 2031A/1 to 6-1899), from the tomb of Buyanquli Khan
  5. Encyclopaedia Iranica; article by G. A. Pugachenkova and E. V. Rtveladze, vol. IV, fasc. 5, pp. 525-527: BUKHARA v. Archeology and Monuments
  6. Archnet (Aga Khan Documentation Center, MIT Libraries): Sayfiddin Boharziy Maqbarasi

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