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LevhaXXXIX/ CIII

Buyan Kulu Han Türbesi

ضريح بيان قلي خانBayonqulixon maqbarasi

Buhara’nın kenarında, Fethabad’da, Çağataylı hanı Buyan Kulu’nun mezarı üzerine yaklaşık 1358-1359’da yapılmış, oyma sırlı çinilerle kaplı kubbeli türbe1,2,3,5.

Yapım
yak. 1358–1359 M.
yak. 759–761 H.
The V&A dates the tilework to about 1358-1359, after the khan’s murder, which its records place in 1358 or in 13591,2,3. Encyclopaedia Iranica gives his death as after 760 AH (1358-59)5.
Dönem
Çağataylı dönemi (Maveraünnehir’in Cengizli hanları)
Yaptıran
V&A’ya göre, hanın katilini bölgeden süren rakipleri
Kimin için
Cengiz Han soyundan Müslüman bir han ve Maveraünnehir’in son Çağataylı hanlarından biri olan Buyan Kulu Han (ö. 1358 ya da 1359)
Malzeme
Turkuaz, mavi-yeşil, beyaz, mavi ve siyah sırlı, derin oymalı pişmiş toprak (terakota) çiniler; bir zamanlar yapıyı içten ve dıştan kaplıyorlardı; taşıyıcı malzemeler başvurulan kaynaklarda tanımlanmaz
Konum
Buhara, Özbekistan
Buyan Kulu Han Türbesi
Fotoğraf: Ymblanter · CC BY-SA 4.0 · Wikimedia Commons

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Tarihçe

Buyan Quli Khan was a Muslim descendant of Genghis Khan who became the nominal ruler of a large part of Central Asia in 1348, while real power lay with the region’s warlords1,2. Encyclopaedia Iranica counts him among the last Chaghatayid khans of Transoxiana5. When he tried to assert his own authority he was killed by one of those warlords, in 1358 according to some V&A records and in 1359 according to others1,2. The murderer was soon driven out by his rivals, who raised the tomb over the khan’s grave in a cemetery at Fathabad, on the outskirts of Bukhara1,2,3.

The tomb stands next to the shrine of Sayf al-Din Bakharzi, a shaykh of the Kubrawi Sufi order who died in 1261; Iranica names the two as the monuments of Bukhara that survive from the Chaghatayid period (1227-1370)5,6. In 1899 the Victoria and Albert Museum in London acquired sections of the tomb’s inscription friezes, a tile with the khan’s name and a column capital; several pieces were bought from a seller in Batumi, Georgia, and one frieze section is recorded as taken from the facade1,2,3,4. The V&A calls the tiles from this tomb the most important surviving examples of a technique used in Central Asia only from about 1350 to the early 15th century1,4.

Mimari

The V&A describes the tomb as a square, domed building with a monumental entrance, sheathed inside and out with tiles that were deeply carved with inscriptions and ornament and covered with coloured glazes before the final firing1,2. A long frieze with an Arabic inscription, which named the khan, ran round the outer edge of the entrance arch; its words were picked out in white glaze against arabesques in blue-green1,4. An engaged column stood beside the entrance; its capital, with two faces set at a right angle, is carved with leafy scrollwork glazed white, turquoise, blue and black3.

İç mekân

Iranica reports that panels of richly carved glazed terracotta decoration have survived in the tomb chamber5. The V&A records that the interior, like the exterior, was originally covered with these carved tiles1.

Dikkat çeken ayrıntılar

  1. Carved glazed terracotta panels preserved in the tomb chamber5.
  2. Tiles deeply cut before glazing, in turquoise, white, blue and black1,3.
  3. The square, domed form with a monumental entrance2.
  4. The neighbouring shrine of Sayf al-Din Bakharzi, from the same period5,6.
  5. Sections of the tomb’s friezes in the Victoria and Albert Museum, London1,4.

Ziyaret

  • The tomb lies at Fathabad, on the outskirts of Bukhara, beside the shrine of Sayf al-Din Bakharzi3,5,6.
  • Sections of its tilework are in the Victoria and Albert Museum in London, acquired in 18991,4.

Kaynaklar

  1. Victoria and Albert Museum, London: Tile (museum no. 2043-1899), from the tomb of Buyanquli Khan
  2. Victoria and Albert Museum, London: Frieze (museum no. 2033:1 to 3-1899), from the tomb of Buyanquli Khan
  3. Victoria and Albert Museum, London: Capital (museum no. 586-1899), from the tomb of Buyanquli Khan
  4. Victoria and Albert Museum, London: Section of Tilework Frieze (museum no. 2031A/1 to 6-1899), from the tomb of Buyanquli Khan
  5. Encyclopaedia Iranica; article by G. A. Pugachenkova and E. V. Rtveladze, vol. IV, fasc. 5, pp. 525-527: BUKHARA v. Archeology and Monuments
  6. Archnet (Aga Khan Documentation Center, MIT Libraries): Sayfiddin Boharziy Maqbarasi

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